Twenty years after Andres Serrano debuted Piss Christ to shocked believers worldwide, Christendom is again up in arms over another work of art. Fundamentalist antipathy toward the arts is well-documented, and artists like Serrano and Damien Hirst have ensured that this feud isn’t likely to die soon. British artist Paul Fryer, a churchgoing Christian himself, has joined the fray with three new pieces.
The first two are variations of the same piece, Pieta:
Unlike traditional pietas, such as Michelangelo’s, this Jesus is not cradled by the Virgin Mary, but by an electric chair. The work is displayed in a French cathedral whose Monsignor explains the work thusly: “[The goal is] to make us aware once more that someone being nailed to a cross is a scandal. Usually, we no longer feel any real emotions in the face of something truly scandalous, the crucifixion.” The piece challenges us to see modern methods of capital punishment as equally bizarre and barbaric as ancient Roman methods. Fryer seems to be expressing incredulity at state-sanctioned murder in the 21st century, asking us to be just as uncomfortable with a convicted felon in the electric chair as we are with Christ in it.