Referring to Wes Anderson’s new movie The Darjeeling Limited, the NYT refers to this NY Mag piece as a defense of Anderson, and this Atlantic Monthly essay as the prosecution. They’re both worth reading, particularly the latter since its review of Darjeeling Limited is part of a large piece on “quirk,” a notion that really fascinates me (though I disagree with Hirschorn’s take on it). I’m reminded of three things:
A review I plan to write of John Vanderslice’s Emerald City by way of responding to the Pitchfork review in which Vanderslice is, like Anderson, essentially faulted for having a certain aesthetic, certain idiosyncrasies or private obsessions. Later I intend to give a full defense of Emerald City since I consider it one of the top 5 albums of 2007.
A famous(ish) essay by Rorty entitled Trotsky and the Wild Orchids, an autobiographical piece I alluded to in my last post. Rorty also wrestles with the question of our idiosyncrasies and personal eccentricities.
I have an essay, which I may or may not post later, that I wrote on Britney Spears and postmodernism. The concept of cultural identity (in which “quirk” definitely relates) is very intriguing to me and I told Heath yesterday that I see a way to weave together various threads in philosophy, art, music, and film into a coherent whole. This is obviously a large project, but feasible, and one in which Britney Spears actually serves as a fantastic introduction.Also at Atlantic Monthly:
About Facebook. Their entire current issue looks great, but little of it is fully available online.Speaking of bogus theories that I’ve fabricated: I also have a theory about swearing and the real issue involved in objections to swearing – ask me in person if you’re interested.